Plus! “That film told the Michael Jordan side of things and our film was told from the Nike side of things.” Get Sirius (In other words, the uber-sexy “When Doves Cry” doesn’t match with Vaccaro watching tape of a college basketball game.) Besides, she notes, Prince’s music was heard in the epic 2020 sports documentary The Last Dance. “It didn’t really fit most of the storyline,” von Foerster says. Though Prince was “all over” Affleck’s original iTunes playlist-as he should have been, given that the artist owned 1984-none of the provocative songs from his catalog made the cut. “And it works perfectly here.” Now U Know “I love the Don Henley song and would have loved to have said I cleared him, but this song defined the MTV generation,” she explains. Enter “Money for Nothing” and Sting’s signature falsetto “ I Want My MTVeeeeeee” introduction. The opening montage, featuring a blur of 1984 pop culture images, was supposed to be set to the melancholic Don Henley hit “The Boys of Summer.” The Eagles singer, famously picky about licensing his music, even signed off. “This was an ‘80s period movie all the way.” The lone exception: Paul Haslinger from the German electronic music group Tangerine Dream composed two brief pieces, one of which plays over the closing credits. “We had no composer, so every single piece of music that you hear in the film is licensed,” von Foerster says. Harold Faltermeyer-scored audio clips from both Beverly Hills Cop and Beverly Hills Cop II make cameos, too. Not only is Air stuffed with all those radio-friendly tracks, its score consists of 18 synth-heavy cues from various ‘80s flicks such as Risky Business, Firerstarter, and Miracle Mile. Below, she breaks down all the soundtrack secrets. “And we looked into getting all of them.” And true to the Air M.O., the four-month process required some gumption and faith in greatness. “It was basically all songs from 1984,” she says. Indeed, von Foerster’s work started with Affleck (who also plays Nike honcho Phil Knight) sending her a hand-picked Apple Music playlist last summer. Ben’s an amazing director and is so clear on what he wants.” And though she only saw Affleck in Zoom meetings and didn’t have face-to-face contact until the premiere, “It was a great experience for me. “I was a film school kid when Matt and Ben won an Oscar for Good Will Hunting, and I’ve followed their careers ever since,” she says. “This was a great way to have a lot of powerful positive songs from that era.” (Yeah, she knows “Born in the U.S.A.” doesn’t quite fit that mold more on that below.)įor the proud Gen Xer, the opportunity to license her favorite childhood music and collaborate with her ‘90s idols was, to quote a Cure song not featured in the film, just like heaven. “The ‘80s had so many great underdog films, like Hoosiers, and we haven’t had that kind of film in a long time,” she explains. All 23 needle drops, ranging from the opening guitar riff of Dire Straits’ “Money for Nothing” to Bruce Springsteen’s “Born in the U.S.A” coda, are hits culled from the middle of the decade and boom with an energy befitting the movie’s upbeat tone and scrappy we’re-in-this-together personality. “It looks like an ‘80s film and it feels like an ‘80s film, so it was really important to have authentic music,” von Foerster, whose credits include 500 Days of Summer, Begin Again, and the series 1883, tells Esquire. That was the most totally awesome 1980s compilation soundtrack ever. Wow, Vaccaro really mortgaged his soul to land a fairly untested Chicago Bulls rookie, and 2. Fact is, anyone who’s seen the terrific Ben Affleck-directed crowd-pleaser- which chronicles how Nike marketing whiz Sonny Vaccaro ( Matt Damon, a producer on the movie as well) and his cohorts at the then-fledgling company doggedly pursued Michael Jordan to sign a shoe contract in 1984-leaves its audience with two takeaways: 1. She trails off, but the second half of the thought is superfluous. “And it was so funny because every time he really liked a song, he started getting into it, you know? So, if Fat Joe approves. “He was sitting in front of me,” she says of the rapper. At least that’s what Air music supervisor Andrea von Foerster did in the darkness of the Regency Village Theater as the film unspooled during its Los Angeles premiere in late March.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |